Digital Music Report 2012. Expanding Choice. Going Global
IFPI Digital Music Report 2011. Music at the touch of a button
Internet devuelve la música a los escenarios. Rioja 2.com
La autoedición musical crea 233 nuevas discográficas en España, un 25% más que el año anterior. El Mundo (2 Febrero, 2004)
Entrevista a Roberto Carreras (Novaesmusik).
pledge music. The new business of making music
La Piratería en España: El Caso de la Industria Musical y del Cine, Ricard Gil, University of California, Santa Cruz
The Free Music Philosophy
MOG. Unlimit Music. Listen for Free
Rdio. Música donde quieras. Millones de canciones. A pedido. Sin anuncios
Tunecore. Sell your music online
iTunes
shazan
Showing posts with label music industry. Show all posts
Showing posts with label music industry. Show all posts
Friday, May 18, 2012
Sunday, April 22, 2012
El turismo cultural de Festivales y Eventos como herramienta para la segmentación de la demanda turística, Pablo Gonzalo
Un largo verano de festivales. Categorías de experiencia y culturas productivas en la industria musical española
A long summer of festivals. Experience categories and productive cultures in the Spanish music industry, Dr. Héctor Fouce
Un largo verano de festivales. Categorías de experiencia y culturas productivas en la industria musical española
A long summer of festivals. Experience categories and productive cultures in the Spanish music industry, Dr. Héctor Fouce
Wednesday, April 18, 2012
Future of Music Coalition is a national nonprofit organization that works to ensure a diverse musical culture where artists flourish, are compensated fairly for their work, and where fans can find the music they want.
Friday, April 13, 2012
Spotify's Daniel Ek: The Most Important Man In Music
January 16th, 2012 issue of FORBES magazine.
THE NIELSEN COMPANY & BILLBOARD’S 2011 MUSIC INDUSTRY REPORT
Album Sales Up for the First Time Since 2004. Digital Track & Digital Album Sales Reach New Highs
Overall Music Sales Break 1.6 Billion Mark for First Time
The New Economics of the Music Industry. How artists really make money in the cloud – or don't. RollingStone Music (October, 25, 2011)
Innovation & the Music Industry. A Chat with EMI’s Barak Moffitt.
MARCH 21, 2012
The New Economics of the Music Industry. How artists really make money in the cloud – or don't. RollingStone Music (October, 25, 2011)
Innovation & the Music Industry. A Chat with EMI’s Barak Moffitt.
MARCH 21, 2012
L a s 2 0 C o s a s q u e D e b e s S a b e r S o b r e l a M ú s i c a O n l i n e
N e w M u s i c S t r a t e g i e s
A n d r e w D u b b e r
January 16th, 2012 issue of FORBES magazine.
THE NIELSEN COMPANY & BILLBOARD’S 2011 MUSIC INDUSTRY REPORT
Album Sales Up for the First Time Since 2004. Digital Track & Digital Album Sales Reach New Highs
Overall Music Sales Break 1.6 Billion Mark for First Time
The New Economics of the Music Industry. How artists really make money in the cloud – or don't. RollingStone Music (October, 25, 2011)
Innovation & the Music Industry. A Chat with EMI’s Barak Moffitt.
MARCH 21, 2012
The New Economics of the Music Industry. How artists really make money in the cloud – or don't. RollingStone Music (October, 25, 2011)
Innovation & the Music Industry. A Chat with EMI’s Barak Moffitt.
MARCH 21, 2012
L a s 2 0 C o s a s q u e D e b e s S a b e r S o b r e l a M ú s i c a O n l i n e
N e w M u s i c S t r a t e g i e s
A n d r e w D u b b e r
Thursday, April 5, 2012
Free sound
Freesound is a collaborative database of Creative Commons Licensed sounds. Browse, download and share sounds.
Saturday, March 31, 2012
autoedición
Internet devuelve la música a los escenarios. Con una industria musical en crisis, hay quienes piensan que es hora de independizarse de la SGAE y buscar otros modelo de producción y difusión de la propia obra. Y, como en los viejos tiempos, volver a tocar en directo. Digital2 | 21/03/2012
La crisis que sufre la industria musical por la «piratería» ha favorecido que parte de los grupos de la mejor escena del pop español pasen a autoeditarse. Y algunos veteranos, también.
Mejor solos que en mala compañía discográfica
La autoedición musical crea 233 nuevas discográficas en España, un 25% más que el año anterior. febrero, 2004
La crisis que sufre la industria musical por la «piratería» ha favorecido que parte de los grupos de la mejor escena del pop español pasen a autoeditarse. Y algunos veteranos, también.
Mejor solos que en mala compañía discográfica
La autoedición musical crea 233 nuevas discográficas en España, un 25% más que el año anterior. febrero, 2004
Sunday, March 25, 2012
Wednesday, March 21, 2012
Saturday, February 18, 2012
First Sounds
"First Sounds strives to make humanity's earliest sound recordings available to all people for all time.
Humanity's earliest sound recordings constitute a rich sonic heritage of inestimable value to historians of technology, media, and expressive culture. They are among the rarest and least accessible recordings in our audio legacy. When held by institutions for which they are not the primary focus, many go unrecognized by their curators as sound recordings. And even when correctly catalogued, they commonly remain unpreserved and inaccessible due to a lack of funding or expertise".
Evolutionofsound
"First Sounds strives to make humanity's earliest sound recordings available to all people for all time.
Humanity's earliest sound recordings constitute a rich sonic heritage of inestimable value to historians of technology, media, and expressive culture. They are among the rarest and least accessible recordings in our audio legacy. When held by institutions for which they are not the primary focus, many go unrecognized by their curators as sound recordings. And even when correctly catalogued, they commonly remain unpreserved and inaccessible due to a lack of funding or expertise".
Evolutionofsound
Sunday, February 5, 2012
The Digitization of the Recorded Music Industry: Impact on Business Models and Scenarios of Evolution
Marc Bourreau (Telecom ParisTech; CREST), François Moreau, Michel Gensollen
Telecom Paris Tech
January 2008
Telecom ParisTech Working Paper No. ESS-08-01
Marc Bourreau (Telecom ParisTech; CREST), François Moreau, Michel Gensollen
Telecom Paris Tech
January 2008
Telecom ParisTech Working Paper No. ESS-08-01
THE MUSIC INDUSTRY IN THE NEW MILLENNIUM:
Global and Local Perspectives. Paper prepared for The Global Alliance for Cultural Diversity
Division of Arts and Cultural Enterprise
UNESCO, Paris.
October 2002
David Throsby
Global and Local Perspectives. Paper prepared for The Global Alliance for Cultural Diversity
Division of Arts and Cultural Enterprise
UNESCO, Paris.
October 2002
David Throsby
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