Tuesday, November 20, 2018
Sunday, November 18, 2018
Wednesday, November 14, 2018
Monday, November 12, 2018
Wednesday, November 7, 2018
Communication Theories (Em Griffin)
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INTERPERSONAL COMMUNICATION
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Symbolic
Interacionism
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X
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Coordinated
Management of Meaning
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X
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X
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Expectancy Violations
Theory
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X
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Interpersonal
Decepcion Theory
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X
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Constructivism
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X
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Social Penetration
Theory
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X
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Uncertainty Reduction
Theory
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X
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The interactional
Views
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X
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Relational Dialectics
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X
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Social Judgement
Theory
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X
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Elaboration
Likelihood Model
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X
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GRUOUP AND PUBLIC COMMUNICATION
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Functional
Perspective on Group decision Making
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X
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Adaptive Structuration Theory
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X
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Symbolic Convergence Theory
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X
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Information Systems Approach
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X
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Cultural Approach
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X
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Critical
Theory of Communnication approach
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X
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The Rhetoric
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X
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Dramatism
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X
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Narrative Paradigm
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X
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MASS COMMUNICATION
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Technological Determinism
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X
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Semiotics
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X
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Cultural Studies
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X
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Cultivation Theory
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X
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Agenda-Setting Theory
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X
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The Media Equation
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X
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CULTURAL CONTEXT
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Anxiety/Uncertainly Management Theory
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X
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Face-Negociation Theory
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X
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Speech Codes Theory
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X
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Genderlect Styles
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X
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Muted Group Theory
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X
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Standpoint Theory
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X
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Tuesday, November 6, 2018
Saturday, November 3, 2018
Generation like
SEASON 32: EPISODE 7
Thanks to social media, today’s teens are able to directly interact with their culture — artists, celebrities, movies, brands, and even one another — in ways never before possible. But is that real empowerment? Or do marketers still hold the upper hand? In Generation Like, author and FRONTLINE correspondent Douglas Rushkoff (The Merchants of Cool, The Persuaders) explores how the perennial teen quest for identity and connection has migrated to social media — and exposes the game of cat-and-mouse that corporations are playing with these young consumers. Do kids think they’re being used? Do they care? Or does the perceived chance to be the next big star make it all worth it?
SEASON 32: EPISODE 7
Thanks to social media, today’s teens are able to directly interact with their culture — artists, celebrities, movies, brands, and even one another — in ways never before possible. But is that real empowerment? Or do marketers still hold the upper hand? In Generation Like, author and FRONTLINE correspondent Douglas Rushkoff (The Merchants of Cool, The Persuaders) explores how the perennial teen quest for identity and connection has migrated to social media — and exposes the game of cat-and-mouse that corporations are playing with these young consumers. Do kids think they’re being used? Do they care? Or does the perceived chance to be the next big star make it all worth it?
Fotonovela y nuevas tendencias en vídeo arte (July 2015)Conference: Congreso Internacional de Investigación en Artes Visuales. ANIAV
Blanca Montalvo
PROJETO DIDÁTICO DE GÊNERO: FOTONOVELA DIGITAL. December 2014
Blanca Montalvo
Renata Garcia Marques
Dorotea Frank Kersch
Blanca Montalvo, María Jesús Martínez Silvente
Fotonovela as a Research Tool in Image-Based Participatory Research with Immigrant Children
Anna Kirova PhD, Michael Emme, EdD,
Fotonovela as a Research Tool in Image-Based Participatory Research with Immigrant Children
Anna Kirova PhD, Michael Emme, EdD,
International Journal of Qualitative Methods
Frequency of use of YouTube among young people aged between 16 and 24 years in Spain in 2014
Majority of Americans now use Facebook, YouTube
ANÁLISIS DEL FENÓMENO YOUTUBE EN ESPAÑA. Relación con los espectadores y con los generadores de contenidos tradicionales
¿Cuál fue el primer vídeo que se subió a YouTube?
Noelia Alcalá/08/09/2017
(The Statistics Portal)
5 facts about online video, for YouTube’s 10th birthday (Pew Research Center)
YouTube se lo pone más difícil a los ‘youtubers’ para ganar dinero. Modifica los baremos de visionado de los vídeos a partir de los cuales la plataforma les proporciona anuncios (17/01/2018)
YouTube se lo pone más difícil a los ‘youtubers’ para ganar dinero. Modifica los baremos de visionado de los vídeos a partir de los cuales la plataforma les proporciona anuncios (17/01/2018)
Prieto Rodríguez, Alberto. Los nuevos instrumentos de comunicación política: el uso de YouTube en las campañas electorales en España, 2010-2014 . 2016. Universidad Nacional de Educación a Distancia (España). Facultad de Ciencias Políticas y Sociología. Departamento de Ciencia Política y de la Administración
¿Cuál fue el primer vídeo que se subió a YouTube?
Noelia Alcalá/08/09/2017
Friday, November 2, 2018
Jóvenes y política
Jóvenes, Participación y Cultura Política (Injuve)
Jóvenes, Internet y política
Autor: Equipo IGOPnet: Joan Subirats, Mayo Fuster, Rubén Martínez, Marco Berlinguer y Jorge Luis Salcedo. Centro Reina Sofía sobre Adolescencia y Juventud,
Los efectos de la comunicación política en el compromisopolítico de los jóvenes en la elección presidencial mexicana de 2012The Effectsof Political Communication on Youth Political Engagement in the 2012 MexicanPresidential Election
Estrategias de comunicación política para jóvenes: creación de un nuevo espacio de opinión y participación juvenil.
El estudio de las prácticas políticasde los jóvenes en Internet
María Rebeca Padilla de la Torre
Dorismilda Flores Márquez
La juventud frente a la política:¿desenganchada, escéptica, alternativao las tres cosas a la vez?
Comunicación política y esfera pública:Aproximaciones a los usos de redessociales de jóvenes en Quito-Ecuador
CÓMO PUEDE CONTRIBUIRTWITTER A UNA COMUNICACIÓNPOLÍTICA MÁS AVANZADA
Miguel Moya Sánchez Universidad Carlos III de Madrid m.msz@telefonica.net Susana Herrera Damas Universidad Carlos III de Madrid dherrera@hum.uc3m.es
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