from communication--desde la comunicación

2012-02-16T10:23:00.001+01:00

PressBooks is a simple book publishing tool

2012-02-16T10:19:00.001+01:00

2012-02-14T23:33:00.001+01:00

2012-02-14T23:06:00.001+01:00

2012-02-14T15:34:00.001+01:00

2012-02-13T13:19:00.000+01:00

Teaching Media Studies in Second Life
By David Kurt Herold, Hong Kong Polytechnic University. Journal of Virtual Worlds Research.Vol. 2. No.1
ISSN: 1941-8477 “Pedagogy, Education and Innovation in 3-D Virtual Worlds”
April 2009

2012-02-08T19:43:00.001+01:00

ARToolKit is a software library for building Augmented Reality (AR) applications. These are applications that involve the overlay of virtual imagery on the real world.

Holographic exhibits
Create a Futuristic Floating Hologram Effect, by Michal Jagiello on Jan 19th 2009

The 3D Hologram. Adobe After Effects

Holographic World First from Deutsche Telekom and Saatchi & Saatchi
18 NOV 2011

Un simple efecto óptico que se utiliza para fantasmas escenario y en los instrumentos ópticos, tales como la cámara clara para la elaboración del microscopio, y el taquistoscopio, que presenta imágenes de duración controlada en experimentos visuales. Un espejo que refleja parcial superpone una imagen (u objeto) que se refleja en otra vista a través del vidrio. Al iluminar una atenuación, mientras que el otro lo oscurecemos, uno se ve aparecer como el otro desaparece - y cuando más o menos igual de iluminados ambos son vistos, superpuestos, como fantasmas transparentes. El efecto ocurre a menudo en cristales de las ventanas, especialmente en la noche, aunque, curiosamente, rara vez se notó menos llama la atención sobre pantallas de lámparas, etc reflejadas fuera flotante. Este efecto se puede producir 'platillos voladores'.

The Ghost in the Theatre: Pepper's Ghost effect

Helio Display

2012-02-08T14:45:00.001+01:00

El 3D en el iPhone ya es posible... Un efecto holográfico sin necesidad de gafas
Autor: abc.es el Mar, 16/11/2010 - 15:47.

Yochai Benkler

2012-02-08T09:02:00.001+01:00

Yochai Benkler. Harvard Law School

Yochai Benkler (TED. Ideas worth spreading)

The wealth of Networks. How Social Production Transforms Markets and Freedom, by Yochai Benkler

Rick Prelinger

2012-02-07T16:23:00.001+01:00

Prelinger Archives

Rick Prelinger

Prelinger Atchives. Internet Archive

Rights

"Rick Prelinger and The Internet Archive hereby offer these public domain films from Prelinger Archives to all for free downloading and reuse.

You are warmly encouraged to download, use and reproduce these films in whole or in part, in any medium or market throughout the world. You are also warmly encouraged to share, exchange, redistribute, transfer and copy these films, and especially encouraged to do so for free.

Any derivative works that you produce using these films are yours to perform, publish, reproduce, sell, or distribute in any way you wish without any limitations.

This statement of rights describes the rights granted to you so that you can use films from the online Prelinger collection at the Internet Archive.

Your right to use these films is granted by the Creative Commons Public Domain license. For details on this license, please click the Creative Commons license logo below.

Neither the Internet Archive nor Rick Prelinger can offer additional information regarding the rights to these films, or provide written license agreements. If you require a written license agreement or further information on the rights status of any Prelinger Collection titles, please see below.

Please be aware that:
-- the Creative Commons Public Domain license is the only license relating to films from the online Prelinger Collection;
-- the Internet Archive "Terms of Use" do not apply to the online Prelinger Collection;
-- the CC Public Domain license refers to the public domain status of the films, but not necessarily to every element that a film may contain;
-- and that other films, videos, texts and audio files hosted at the Internet Archive are not necessarily covered by the same license that governs the online Prelinger Collection. Please research these items individually if you wish to reuse any of them.

Descriptions, synopses, shotlists and other metadata provided by Prelinger Archives to this site are copyrighted jointly by Prelinger Archives and Getty Images. They may be quoted, excerpted or reproduced for educational, scholarly, nonprofit or archival purposes, but may not be reproduced for commercial purposes of any kind without permission".

If you require a written license agreement or need access to stock footage in a physical format (such as videotape or a higher-quality digital file), please visit our Stock Footage page. Neither Rick Prelinger nor the Internet Archive furnish written license agreements, nor do they comment on the rights status of a given film above and beyond this Creative Commons license.

Further information on works from Prelinger Archives can be found here. Questions should be directed to Rick Prelinger at Prelinger Archives, PO Box 590622, San Francisco, CA 94159-0622 USA.

Steal this film

2012-02-07T16:01:00.001+01:00

Steal this film (website)

"Steal This Film is a film series documenting the movement against intellectual property produced by The League of Noble Peers and released via the BitTorrent peer-to-peer protocol.
Two parts, and one special The Pirate Bay trial edition of the first part, have been released so far, and The League of Noble Peers is working on "Steal this Film - The Movie" and a new project entitled "The Oil of the 21st Century".[2]

Steal This Film (Part 2)[9] (sometimes subtitled 'The Dissolving Fortress') was produced during 2007. It premiered (in a preliminary version) at a conference entitled "The Oil of the 21st Century - Perspectives on Intellectual Property" in Berlin, Germany, November 2007.[10]
Thematically, Part 2 "examines the technological and enforcement end of the copyright wars, and on the way that using the internet makes you a copier, and how copying puts you in legal jeopardy."[11] It discusses Mark Getty's assertion that 'intellectual property is the oil of the 21st century'. Part 2 draws parallels between the impact of the printing press and the internet in terms of making information accessible beyond a privileged group or "controllers". The argument is made that the decentralised nature of the internet makes the enforcement of conventional copyright impossible. Adding to this the internet turns consumers into producers, by way of user generated content, leading to the sharing, mashup and creation of content not motivated by financial gains. This has fundamental implications for market-based media companies. The documentary asks "How will society change" and states "This is the Future - And it has nothing to do with your bank balance".

Steal this film (video, part II)

Steal this film (subtítulos en castellano)

2012-02-05T20:26:00.000+01:00

Cultura libre - Como los grandes medios usan la tecnología y la ley para controlar la cultura y la creatividad
Lawrence Lessig

Algunas cifras de la industria cultural

2012-02-05T20:09:00.001+01:00

Public Domain Day

The Public Domain Review

about ebooks

2012-02-05T16:27:00.001+01:00

Augmented reality poetry book can only be read via webcam
"An unlikely marriage of print and digital, Between Page and Screen chronicles a love affair between two characters, P and S. The book has no words, only inscrutable black and white geometric patterns that, when coupled with a webcam, conjure the written word. Reflected on screen, the reader sees him or herself with open book in hand, language springing alive and shape-shifting with each turn of the page.
The story unfolds through a playful and cryptic exchange of letters between P and S as they struggle to define their relationship. Rich with innuendo, anagrams, etymological and sonic affinities between words, Between Page and Screen revels in language and the act of reading.
Originally produced in a limited, letterpress edition of 12, Between Page and Screen is now available from Siglio Press. The first 250 copies are signed and numbered. Save 25% with the coupon code "SPINTO"."

NTERVIEW by DANIELLE OLIVER |PHOTOGRAPHY by BRAD BOUSE

The Future of the Book Is the Stream
JAN 30 2012, 7:14 AM ET 14

The e-reader industry: Replacing the book or enhancing the reader experience?
Nathaniel Stone, FIS2309, Design of Electronic Text

Entre la página y la pantalla(castellano)

El universo de los lectores electrónicos se amplía a paso acelerado, lo cual obliga a las empresas de la industria a prepararse para todo tipo de escenarios y formatos.
Video Presentación Kindle España. Amazon
Kindle ya habla español. Ciberp@ísDiciembre, 1, 2010.

Kindle. Direct Publishing

El mercado del ebook en España: un análisis económico, Julio LARRAÑAGA RUBIO. Facultad de Ciencias de la Información
Universidad Complutense de Madrid (2008)

La venta de libros descendió el 7% en España en 2010. El soporte digital aumentó su facturación y el cómic es el único género que se salva de la caída. AGENCIAS - Madrid - 04/07/2011. El País

Panorámica de la Edición Española de Libros. Análisis sectorial del libro (2010)

2012-02-05T16:16:00.001+01:00

LA SOCIEDAD DE LA INFORMACIÓN EN LOS PAÍSES NÓRDICOS
Mariano CEBRIÁN HERREROS

2012-02-05T15:59:00.002+01:00

Creative Content in a European Digital Single Market:
Challenges for the Future A Reflection Document of DG INFSO and DG MARKT. 22 October 200

2012-02-05T13:27:00.001+01:00

Freak Independently Film Agency
Corto: Adivina quién viene a comer mañana

2012-02-05T13:19:00.001+01:00

Cultunet es un proyecto que ha sido desarrollado de forma conjunta por la Organización de Estados Iberoamericanos (OEI) y Área de Trabajo (empresa editora de la revista g+c).

2012-02-05T13:13:00.000+01:00

The Digitization of the Recorded Music Industry: Impact on Business Models and Scenarios of Evolution
Marc Bourreau (Telecom ParisTech; CREST), François Moreau, Michel Gensollen
Telecom Paris Tech

January 2008

Telecom ParisTech Working Paper No. ESS-08-01

2012-02-05T12:58:00.003+01:00

Películas. Recaudaciones. Espectadores
MINISTERIO DE CULTURA. visuales Instituto de la Cinematografía y de las Artes Audioviusales.
Edita Instituto de la Cinematografía y de las Artes Audiovisuales

Encuestra de hábitos y Prácticas Culturales en España (2010-2011). Síntesis de Resultados.
Metodología de la Encuesta

Estudio sobre la Comercialización del Libro en España, Inmark Estudios y Estrategias (S.A) 2008

2012-02-05T12:46:00.002+01:00

GREEN PAPER
Unlocking the potential of cultural and creative industries. European Commission, 2010

2012-02-05T12:43:00.002+01:00

THE MUSIC INDUSTRY IN THE NEW MILLENNIUM:
Global and Local Perspectives. Paper prepared for The Global Alliance for Cultural Diversity
Division of Arts and Cultural Enterprise
UNESCO, Paris.
October 2002
David Throsby

2012-02-04T23:34:00.003+01:00

From Cultural to Creative Industries:
Theory, Industry, and Policy Implications, STUART CUNNINGHAM

2012-02-04T22:56:00.000+01:00

Media Piracy in Emerging Economies

2012-02-04T22:52:00.001+01:00

PRATIQUES INFORMATIONNELLES ET ÉCHANGES ÉCONOMIQUES
Par Éric Delamotte

2012-02-02T09:23:00.000+01:00

Guía de licencias Creative Commons. Por Ariel Vercelli y Ana Marotias

Creative Commons

Creative Commons (recursos)

2012-01-25T21:20:00.002+01:00

Serious Games Changing The Way People Apply For A Job. SERIOUS GAMES MARKET
DIGGING THE BEST OF SERIOUS GAMES PROMISING MARKET
mymarriotthel

Power of research

What is Power of Research about?
Comments by Serious Game Market

2012-01-25T21:12:00.002+01:00

Work exchange slowly panning out (Interview to Philip Rosedale)
By Quentin Hardy / New York Times News Service
Published: November 09. 2011 4:00AM PST

“Second Life,” in its heyday, held similar promise. While it became a haven for sexual chatter, it has over the years attracted a now-defunct Reuters news bureau as well as emporiums of several companies like American Apparel and Starwood Hotels. Cisco Systems also held meetings there. “Second Life” still exists, but is much quieter now, offering virtual currency, meetings and digital real estate, among other services.

While he is still chairman of Linden Lab, the company that created “Second Life,” Rosedale talks about that venture in the past tense.

“The problem with creating an immersive 3-D experience is that it is just too involved, and so it’s hard to get people to engage,” he said. “Smart people in rural areas, the handicapped, people looking for companionship, they love it. But you have to be highly motivated to get on and learn to use it.”

Rosedale, who raised about $1 million for Coffee and Power from investors including Jeff Bezos, Catamount Ventures and Greylock Partners, sees breaking work into smaller tasks, both in software and in the real world, as a trend that will continue to gain traction.

“I would rather hire a kid in Brazil who is hungry for work for a project than hire a Stanford graduate,” he said.

2012-01-25T20:21:00.001+01:00

2012-01-19T22:15:00.004+01:00

CC. Campus Channel. Les rencontres Etudiants Ecoles/Universités

2012-01-16T18:45:00.002+01:00

An Exploration of the Ideologies of Software Intellectual Property: The Impact on Ethical Decision Making
Matthew K. McGowan, Paul Stephens and Dexter Grub

The Political Economy of Open Source Software, by Steven Weber. BRIE Working Paper 140. E-conomy Project Working Paper 15, June 2000

2012-01-16T13:30:00.001+01:00

FLOSS Manuals

2012-01-16T11:16:00.002+01:00

Open.edu: Top 50 University Open Courseware Collections. DIY Learning i

Guess Who Uses Free & Open Source Software?

2012-01-11T17:41:00.001+01:00

Guess Who Uses Free & Open Source Software?

2012-01-11T15:05:00.003+01:00

Top 100 of the Best (Useful) OpenSource Applications.Feb 28, 2008 by Roger Wheatley

Ten Myths of Internet Art, by JON IPPOLITO

2012-01-11T13:37:00.002+01:00

Ten Myths of Internet Art, by JON IPPOLITO
LEONARDO, Vo l . 35, No . 5, pp. 485–498, 200

2012-01-08T14:07:00.001+01:00

2012-01-07T22:36:00.000+01:00

Information Science
Insite. Conferences Montréal, Canada. June 22-27, 2012.

2012-01-05T22:28:00.001+01:00

Statistical analysis

2012-01-05T22:27:00.002+01:00

CHI-SQUARE TEST. Adapted by Anne F. Maben from "Statistics for the Social Sciences" by Vicki Sharp

Compare observed and expected frequencies

ANOVA TEST

Collaborative learning

2012-01-04T21:47:00.000+01:00

Collaborative Learning:
Group Work and Study Teams
[From the hard copy book Tools for Teaching by Barbara Gross Davis; Jossey-Bass Publishers: San Francisco, 1993.

The Power of Virtual Worlds in Education: A Second Life Primer and Resource for Exploring the Potential of
Virtual Worlds to Impact Teaching and Learning. By The ANGEL Learning Isle Steering Committee

bigbluebutton

2012-01-03T21:38:00.002+01:00

Tnhinking with Type

2012-01-03T12:46:00.001+01:00

Remix. Marketing art and commerce thrive in the hybrid economy, by Lawrence Lessing (2008)

The Future of Ideas (2001), by Lawrence Lessing

Codev2 (2006) by Lawrence Lessing

2012-01-03T12:04:00.002+01:00

Linus Torvalds (wikipedia)

2012-01-03T11:47:00.001+01:00

Find, Create, and Publish Open Source software for free

2012-01-03T11:21:00.001+01:00

Innovation by User Communities: Learning from Open-Source Software, by Eric Von Hippel

When people say that software is "free" or "open source," they mean that a user may obtain a copy at no cost and
then legally study its source code, modify it and distribute it to others — also for free. A software author uses his
or her own copyright to guarantee those rights to all users by affixing to the code a standard licensing notice,
such as the General Public License (GPL), commonly referred to as "copyleft" (a play on the word "copyright").
Well-known examples of open-source software are the GNU/Linux computer operating system, Perl programming
language and Internet e-mail engine sendmail. The practice of granting extensive rights to users
through licensing dates back to the free-software movement that Richard Stallman launched in the early 1980s.
Stallman founded the Free Software Foundation to counter the trend toward proprietary development of
software packages and release of software without source code. Then, in 1998. several prominent computer
hackers, including Bruce Perens and Eric Raymond,launched the Open Source Initiative. The founders had
some political differences with the free-software movement, but agreed in general with its licensing practices.
They also advanced new ideas about how to spread thepractices more broadly" (84)

2012-01-03T11:10:00.003+01:00

floss foundations directory

Coldplay (Don Quixote)

2012-01-03T10:36:00.001+01:00

So we left La Mancha
headed out for higher plains
me and Sancho Panza

Looking for adventure
Rocinante at the reins
to the windmills answers

You'll never be lonely
you'll never be lonely ever again
you'll never be lonely
you'll never be lonely again.

I heard
you never get wet in Spanish rain

So they sent for a doctor
for examining my brain
said: "he´s not too clever".

When the world,
when the world just seems
a little bit too cruel
believe in better
make one better

So tell that princess
tell that princess
right down that train
tell that princess
she'll never be lonely again

I heard
you never get wet in Spanish rain
I heard
you never get wet in Spanish rain.

Will the people sing

Ole, ole, ole!.

I heard
you never get wet in Spanish rain

You'll never get wet in Spanish rain

2012-01-02T17:20:00.001+01:00

Open Sources: Creativity and Code in the Digital Age
Michael Century
Connexions : Art, Media, Networks, edited by Annick Bureaud and Nathalie Magnan, Press of the
Paris, Ecole des Beaux Arts, 2002

"As a potential enabler of an activist information culture, open source or free software has implications far beyond its instrumental utility. At stake may be a deeper, more enduring understanding of how to identify and enhance real value in the increasingly complex technical co-dependencies between people and information technologies. The open source "meme" helps reveal the social and cultural construction of computing and communication technologies more generally " (pag.1)

"Digital Cinema. Two recent parallel trends are to be noted. The first is the effective accomplishment of the photo-realistic synthesis of live action by digital systems; as theorist Lev Manovich parodoxically puts it, “Digital cinema is a particular case of animation that uses live-action footage as one of its many elements” [13]. The second is the recent commodification of the so-called high-end systems, as computing platforms become cheaper, and all the packaged software products provide essentially the same benchmark features. These applications give small scale producers the techniques only large studios could afford just a few years ago, making the points of discrimination between them less a matter of generic capabilities and more the custom development unique to each production. The major digital studios,
like Pixar, ILM, Dreamworks, Disney, devise proprietary code to enable features not available off-the-shelf, but as this proprietary legacy code becomes harder and harder to maintain, the main players in this industry have begun to explore a co-operative basis for competition, based on open source software development. [14] (4)

2012-01-02T17:02:00.001+01:00

Open Source Freeware : 400+ free applications and utilities
Extremely useful open source applications and utilities available free under various licenses.

2012-01-02T13:48:00.001+01:00

Open Clip art library.
"The Open Clipart Library is the largest collaboration community that creates, shares and remixes clipart. All clipart is released to the public domain and may be used in any project for free and with no restrictions"

Open Font Library

2012-01-02T13:36:00.001+01:00

OSP (Open Source Publishing) is a graphic design collective that uses only Free, Libre and Open Source Software.

The Revolution is Hear! Sound Art, the Everyday and Aural Awareness

2012-01-02T13:12:00.000+01:00

The Revolution is Hear! Sound Art, the Everyday and Aural Awareness
PhD thesis by Florian Hollerweger at the Sonic Arts Research Centre, Queen's University Belfast. Supervised by Dr. Pedro Rebelo and Prof. Michael Alcorn.

Scribus

2012-01-02T12:55:00.003+01:00

"Scribus: es un programa de maquetación de páginas de código abierto, que ofrece un gran rendimiento en la creación de publicaciones por ordenador. Scribus está disponible en versiones nativas para GNU/Linux, Unix, Mac OS X y Windows y brinda capacidades para el diseño y diagramación, similares a las ofrecidas por programas comerciales como Adobe PageMaker, QuarkXPress y Adobe InDesign.

Scribus está diseñado para dar flexibilidad en el diseño y la composición, ofreciendo la capacidad de preparar archivos para equipos profesionales de filmación de imágenes. También puede crear presentaciones animadas e interactivas en PDF y formularios. Entre los ejemplos de su aplicación se encuentran periódicos, folletos, boletines de noticias, carteles y libros.

Scribus soporta la mayoría los principales formatos gráficos, además de SVG. Sus características profesionales para fuentes e imágenes incluyen manejo de color CMYK y administración de color ICC.

La impresión se realiza mediante sus propios controladores internos de PostScript Nivel 3, incluyendo soporte para fuentes incrustadas y ajustes con fuentes TrueType, Tipo 1 y OpenType. El controlador interno soporta plenamente construcciones de PostScript Nivel 2 y un gran subconjunto de construcciones de Nivel 3.

El soporte PDF incluye transparencia, cifrado y un gran conjunto de las especificaciones de PDF 1.4 así como PDF/X3, incluyendo campos interactivos de formularios PDF, notas y marcas.

El formato de sus archivos está basado en XML y está totalmente documentado. Se pueden importar textos de documentos OpenDocument, como RTF, Doc de Microsoft Word, y HTML (aunque con algunas limitaciones).
Está disponible en más de 24 idiomas, incluyendo el español"Fuente: wikipedia

Scribus. Open Source Desktop Publishing

pdftk the pdf toolkit

2012-01-02T12:48:00.003+01:00

pdftk the pdf toolkit (website)

Herramienta Funcional para archivos pdd, por Stefan Lagotzki. Linux Magazine

Grokking the GIMP by Carey Bunks

2012-01-02T12:13:00.000+01:00

Grokking the GIMP, by Carey Bunks

2011-12-26T18:25:00.003+01:00

Best Practices in Design. By John LeMasney

10 things you can do with Inkscape (that you shouldn't try in Word), by John LeMasney

2011-12-26T18:21:00.001+01:00

2011-12-26T11:11:00.003+01:00

WHAT IS GRAPHIC DESIGN? from AIGA Career Guide

Design & Typo Le Blog. Le Monde

Open software for graphic design

2011-12-25T22:05:00.002+01:00

Blender
Scribus

The Best Free Software for your Digital Art Needs. By Jeremy (2009)

11 Free And Useful Open-Source Alternatives For Designers. By AN Jay on February 18, 2009

Best Open Source Software for Web Designers and Developers, by LARS on MARCH 15, 2010

70 Awesome Open Source Tools for Graphic Designers

2011-12-23T22:05:00.001+01:00

The bats are in the belfry
the dew is on the moor
where are the arms that held me
and pledged her love before
and pledged her love before

Chorus

It's such a sad old feeling
the fields are soft and green
it's memories that I'm stelaing
but you're innocent when you dream
when you dream
you're innocent when you dream

running through the graveyard
we laughed my friends and I
we swore we'd be together
until the day we died
until the day we died

Repeat Chorus

I made a golden promise
that we would never part
I gave my love a locket
and then I broke her heart
and then I broke her heart

Repeat Choru

2011-12-23T15:34:00.001+01:00

The Secrets of Generating Art Ideas. An Inside Out Art Curriculum. By Marvin Bartel

Some Ideas About Composition and Design. Elements, Principles, and Visual Effects.Marvin Bartel

free ai viewer

2011-12-23T15:30:00.002+01:00

free ai viewer

Inkscape. editor de gráficos vectoriales de código abierto

2011-12-19T08:19:00.000+01:00

Inkscape for Adobe Illustrator users (wikiInkscape)

website de Inkscape

Curso práctico de Inkscape: Logo a logo. 2ª Edición. Reescrita y ampliada. (Joaquín Herrera)

Inkscape coverage. Presentation outlines, papers, abstracts, articles and books about Inkscape. For user and developer communities, see International and Local Communities.

Taller de Inkscape

View more presentations from Universidad Europea de Madrid

Pp laboratori d'aplicacions grafiques

View more presentations from paulita_589

Iniciación a Inkscape

View more presentations from Ayoub Hijazi

Inkscape

View more presentations from Anas Emad

Inkscape

View more presentations from David Martin

2011-12-17T21:34:00.003+01:00

2012 Informing Science + IT Education Conference. Jun 22 - 27, 2012
Montreal, Canada. In collaboration with the John Molson School of Business,
Concordia University, Montreal, Canada

3D3Cworlds: Vision - The Challenge of 3D3C Markets (Dr. Yesha Sivan, Metaverse Labs)

2011-12-14T18:32:00.001+01:00

App Watch: Getting the History of Your Location

2011-12-14T12:40:00.001+01:00

App Watch: Getting the History of Your Location

2011-12-11T22:09:00.001+01:00

Herramientas y Aplicaciones de Illustrator, por Gloria Gómez Diago

Google web fonts

2011-11-23T12:43:00.001+01:00

Hundreds of free, open-source fonts optimized for the web

Pierre Étienne Bézier

2011-11-20T19:23:00.001+01:00

Pierre Étienne Bézier, (1 de septiembre de 1910 - 25 de noviembre de 1999) (Wikipedia) Les courbes de Pierre Bézier ont redessiné le monde (Design et Typo)

2011-11-13T12:52:00.001+01:00

2011-10-30T18:29:00.001+01:00

2011-10-14T17:36:00.001+02:00

Using Facebook in FE and HE by Rebecca Ferriday

Get your own Virtual Classroom

Bruce Springsteen & Eddie Vedder- Better Man 13 10 2004

2011-10-13T18:54:00.002+02:00

2011-10-06T16:39:00.001+02:00

Every Teardrop Is A Waterfall

2011-09-28T16:23:00.001+02:00

I TURN THE MUSIC UP, I GOT MY RECORDS ON
I SHUT THE WORLD OUTSIDE UNTIL THE LIGHTS COME ON
MAYBE THE STREETS ALIGHT, MAYBE THE TREES ARE GONE
I FEEL MY HEART START BEATING TO MY FAVOURITE SONG

AND ALL THE KIDS THEY DANCE, ALL THE KIDS ALL NIGHT
UNTIL MONDAY MORNING FEELS ANOTHER LIFE
I TURN THE MUSIC UP
I’M ON A ROLL THIS TIME
AND HEAVEN IS IN SIGHT

I TURN THE MUSIC UP, I GOT MY RECORDS ON
FROM UNDERNEATH THE RUBBLE SING A REBEL SONG
DON’T WANT TO SEE ANOTHER GENERATION DROP
I’D RATHER BE A COMMA THAN A FULL STOP

MAYBE I’M IN THE BLACK, MAYBE I’M ON MY KNEES
MAYBE I’M IN THE GAP BETWEEN THE TWO TRAPEZES
BUT MY HEART IS BEATING AND MY PULSES START
CATHEDRALS IN MY HEART

AND WE SAW OH THIS LIGHT I SWEAR YOU, EMERGE BLINKING INTO
TO TELL ME IT’S ALRIGHT
AS WE SOAR WALLS, EVERY SIREN IS A SYMPHONY

AND EVERY TEAR’S A WATERFALL
IS A WATERFALL, OH!
IS A WATERFALL, OH! OH! OH!
IS A WATERFALL
EVERY TEAR IS A WATERFALL
OH OH OH!

SO YOU CAN HURT, HURT ME BAD
BUT STILL I’LL RAISE THE FLAG

OH, IT WAS A WA-WA-WA-WA-WA-ATERFALL
A WA-WA-WA-WA-WA-ATERFALL

EVERY TEAR
EVERY TEAR
EVERY TEARDROP IS A WATERFALL

EVERY TEAR
EVERY TEAR
EVERY TEARDROP IS A WATERFAL

SL Languages 2011

2011-09-17T18:34:00.002+02:00

Among all the interesting presentations, there is the one that will be performed by Akemi Mochizuki (Draceina Pinion avatar) and titled.
Educational tools for learning Japanese in SL. Date September, 17. Time: 5am SL | 12pm GMT

2011-09-12T19:09:00.001+02:00

The Art of Community

2011-09-08T20:33:00.000+02:00

The Art of Community, by Jono Bacon

2011-09-04T20:44:00.000+02:00

2011-09-04T19:27:00.001+02:00

What science and engineering means: Discourses of young children across the world. By Lorraine Kisselburgh, Patrice Buzzanell and Brenda Berkelaar.

View more presentations from ADVANCE-Purdue

Second Life, Blue Mars Lite, Google Street View

2011-09-04T09:55:00.003+02:00

Dresden Gallery - Second Life, Blue Mars Lite, Google Street View
De James OReilly

Versailles - SL, Opensim, Blue Mars Lite, Google Street View

Dinosaur Museum

Stonehenge - SL, Opensim, Blue Mars Lite, Google Street View

Publish or Perish

2011-09-03T20:08:00.000+02:00

Publish or Perish

"Publish or Perish is a software program that retrieves and analyzes academic citations. It uses Google Scholar to obtain the raw citations, then analyzes these and presents the following statistics:

Total number of papers
Total number of citations
Average number of citations per paper
Average number of citations per author
Average number of papers per author
Average number of citations per year
Hirsch's h-index and related parameters
Egghe's g-index
The contemporary h-index
The age-weighted citation rate
Two variations of individual h-indices
An analysis of the number of authors per paper"

ひとりじゃないよ～　PCとリハビリ機器をつなぐ装置０２

2011-09-03T18:25:00.001+02:00

Made by this enterprise

Piet Hut's work about uses of Virtual Worlds

2011-09-02T10:15:00.001+02:00

Exploring the Use of Virtual Worlds as a Scientific
Research Platform: The Meta-Institute for
Computational Astrophysics (MICA)
S. G. Djorgovski,P. Hut, S. McMillan, E. Vesperini, R. Knop, W. Farr, and M. J. Graham

Publication List of Piet Hut

Blue mars light

2011-09-01T18:59:00.001+02:00

WORDij

2011-08-22T20:46:00.001+02:00

WORDij

Peter Holme's word stemmer My cool tool for preparing chunks of text for quantitative text analysis.

2011-08-22T19:44:00.001+02:00

Peter Holme's word stemmer
My cool tool for preparing chunks of text for quantitative text analysis.

some words in english, spanish, japanese, by Akemi Mochizuki

2011-08-22T19:19:00.002+02:00

dance/bailar:「踊る」
drink/beber:「飲む」
erase/borrar:「消す、消去する」
kiss/besar:「キスする」
lower/bajar:「下がる、降りる」
sweep/barrer:「掃除する、一掃する」
take a bath/bañar:「入浴させる、ぬらす」 ※bañarse　「入浴する」

Akemi has many tools designed to learn languages, into the Virtual World Second Life. Visit her marvellous place on the Virtual World.

OpenStack Compute

2011-08-22T19:11:00.002+02:00

Open source software for building
private and public clouds

WEFT QDA

2011-08-22T19:07:00.002+02:00

A free qualitative analysis software application

http://www.pressure.to/qda/#intro

The Information Society : Myth or Reality, by Nicholas Garnham

2011-08-20T19:41:00.000+02:00

The Information Society : Myth or Reality, by Nicholas Garnham

Two Views of Communication: Transmission & Ritual

2011-08-20T19:37:00.000+02:00

Two Views of Communication: Transmission & Ritual
From James W. Carey, Communication as Culture: Essays on Media and Society. Boston: Unwin Hyman, 1989.

IS ‘EMPOWERMENT’ THE ANSWER? Current Theory and Research on Development Communication Robert A. White

2011-08-20T19:22:00.001+02:00

IS ‘EMPOWERMENT’ THE ANSWER?
Current Theory and Research on Development Communication
Robert A. White.
GAZETTE: THE INTERNATIONAL JOURNAL FOR COMMUNICATION STUDIES
COPYRIGHT © 2004 SAGE PUBLICATIONS
LONDON, THOUSAND OAKS & NEW DELHI 0016-5492 VOL 66(1): 7–24

2011-08-18T19:20:00.001+02:00

List of free and open source software packages (wikipedia)

Journal of Virtual Studies. VOL 2, NO 1 (2011): 2011 VWBPE CONFERENCE PROCEEDINGS

2011-08-14T19:50:00.000+02:00

Journal of Virtual Studies. VOL 2, NO 1 (2011): 2011 VWBPE CONFERENCE PROCEEDINGS
The Virtual Worlds Best Practices in Education Conference is an annual conference which is managed by Rockcliffe University Consortium in trust for the virtual world community. This year's organizers were Kevin Feenan, Kae Novak, and Chris Luch.

The Logic of Collective Action

2011-08-09T20:06:00.001+02:00

The Logic of Collective Action
Special Interests and Economic Policy
From Mike Moffatt, former About.com Guide

A New Era of Minimal Effects? The Changing Foundations of Political Communication By W. Lance Bennett and Shanto Iyengar

2011-08-09T19:33:00.001+02:00

A New Era of Minimal Effects? The Changing Foundations of Political Communication
By W. Lance Bennett and Shanto Iyengar.Journal of Communication. 2008

George Akerlof

2011-08-09T19:03:00.003+02:00

George Akerlof
wikipedia

website (Berkeley University)

The Market for "Lemons": Quality Uncertainty and the Market Mechanism
George A. Akerlof
The Quarterly Journal of Economics, Vol. 84, No. 3. (Aug., 1970), pp. 488-500

Steven S. Wildman

2011-08-09T18:51:00.002+02:00

Why New Media Services are Different
Steven S. Wildman
Quello Center for Telecommunication Management and Law
Michigan State University

Trade Liberalization and Policy for Media Industries: A Theoretical Examination of Media Flows
Steven S. Wildman (Northwestern University)Canadian Journal of Communication, Vol 20, No 3 (1995)

from communication--desde la comunicación

Yochai Benkler

Rick Prelinger

Steal this film

about ebooks

Guess Who Uses Free & Open Source Software?

Ten Myths of Internet Art, by JON IPPOLITO

Statistical analysis

Collaborative learning

Coldplay (Don Quixote)

The Revolution is Hear! Sound Art, the Everyday and Aural Awareness

Scribus

pdftk the pdf toolkit

Grokking the GIMP by Carey Bunks

10 things you can do with Inkscape (that you shouldn't try in Word), by John LeMasney

Open software for graphic design

free ai viewer

Inkscape. editor de gráficos vectoriales de código abierto

3D3Cworlds: Vision - The Challenge of 3D3C Markets (Dr. Yesha Sivan, Metaverse Labs)

App Watch: Getting the History of Your Location

Google web fonts

Pierre Étienne Bézier

Bruce Springsteen & Eddie Vedder- Better Man 13 10 2004

Every Teardrop Is A Waterfall

SL Languages 2011

The Art of Community

Second Life, Blue Mars Lite, Google Street View

Publish or Perish

ひとりじゃないよ～ PCとリハビリ機器をつなぐ装置０２

Piet Hut's work about uses of Virtual Worlds

Blue mars light

WORDij

Peter Holme's word stemmer My cool tool for preparing chunks of text for quantitative text analysis.

some words in english, spanish, japanese, by Akemi Mochizuki

OpenStack Compute

WEFT QDA

The Information Society : Myth or Reality, by Nicholas Garnham

Two Views of Communication: Transmission & Ritual

IS ‘EMPOWERMENT’ THE ANSWER? Current Theory and Research on Development Communication Robert A. White

Journal of Virtual Studies. VOL 2, NO 1 (2011): 2011 VWBPE CONFERENCE PROCEEDINGS

The Logic of Collective Action

A New Era of Minimal Effects? The Changing Foundations of Political Communication By W. Lance Bennett and Shanto Iyengar

George Akerlof

Steven S. Wildman

ひとりじゃないよ～　PCとリハビリ機器をつなぐ装置０２